The History of Tap Dance
Tap dance was developed in the United States during the nineteenth century, and is popular nowadays in many parts of the world. The name comes from the tapping sound made when the small metal plates on the dancer's shoes touch a hard surface. This lively, rhythmic tapping makes the performer not just a dancer, but also a percussive musician (and thus, for example, the American composer Morton Gould was able to compose a concerto for tap dancer and orchestra).
The Encyclopedia Britannica definition for tap dance is: "A style of American theatrical dance using precise rhythmical patterns of foot movement and audible foot tapping. It is derived from the traditional clog dance of northern England, the jigs and reels of Ireland and Scotland, and possibly the rhythmic foot stamping of African dances. Popular in 19th-century minstrel shows, versions such as "buck-and-wing" (danced vigorously in wooden-soled shoes) and "soft-shoe" (shoes) developed as separate techniques; by 1925 they had merged, and metal taps were attached to shoe heels and toes to produce a more pronounced sound. The dance was also popular in variety shows and early musicals."
History
The influences of tap dancing may include:
African
African dances were often used as a form of communication and reflected most aspects of daily life
Drum rhythms are often highly complex and syncopated
African gumboot dance were developed in the 1970s in South Africa by mine workers and may have derived from Tap.
Steps included gliding, shuffling, and large amounts of improvisation
There seems to be no historical evidence of percussive (heel toe) dance footwear in this culture predating tap.
Irish and English
Irish Sean-nos step dancing
Clogging, where there may be no accompanying music, just the noise of the shoes
Step dancing
Stomp dancing, where the sound of other objects are used to enhance the stomping sound of the foot
Masters would often challenge each other to be the best dancer and win students
West Indies
Complex rhythms dictated by drums
Juba Dance a competitive dance involving intricate foot work, hand clapping and patting
There seems to be no historical evidence of percussive (heel toe) dance footwear in this culture predating tap.
Spanish
Zapateado of Spanish flamenco, where nails are hammered into the heel and the front part of the dancers' shoes, so that the rhythm of their steps can be heard
Spanish mad-step (practiced by early tap practitioners Eduardo Corrochio and Henry Rogers)
During the 1930s, 1940s, and 1950s, the best tap dancers moved from Vaudeville to cinema and television. Steve Condos, with his innovative style of percussion tap, created a whole new tap style that he introduced to audiences in Vaudeville, and later to the audiences of film and Broadway. Prominent tap dancers of this period included Fred Astaire, Ginger Rogers, Shirley Temple, John W. Bubbles, Charles "Honi" Coles, Vera-Ellen, Ruby Keeler, Gene Kelly, Ann Miller (credited as the fatest recorded tap dancer, a record she still holds), Jeni LeGon,[3] Ann Miller, Fayard and Harold Nicholas of the Nicholas Brothers, Donald O'Connor, Eleanor Powell, Rita Hayworth, Betty Grable, PrinceSpencer,[4] Bill "Bojangles" Robinson, and Jimmy Slyde.
During the 1930s tap dance mixed with Lindy Hop. "Flying swing outs" and "flying circles" are Lindy Hop moves with tap footwork.
In the 1950s, the style of entertainment changed. Jazz music and tap dance declined, while rock and roll music and the new jazz dance emerged. What is now called jazz dance evolved out of tap dance, so both dances have many moves in common. But jazz evolved separately from tap dance to become a new form in its own right. Well-known dancers during the 1960s and 1970s included Arthur Duncan and Tommy Tune.
No Maps on My Taps, the Emmy award winning PBS documentary of 1979, helped begin the recent revival of tap dance. The outstanding success of the animated film, Happy Feet, has further reinforced the popular appeal[5] National Tap Dance Day in the United States, now celebrated May 25th, was signed into law by President George Bush on November 7, 1989. (May 25th was chosen because it is the birthday of famous tapper Bill "Bojangles" Robinson.) Prominent modern tap dancers have included Brenda Bufalino, Jay Fagan,[6] Ted Bebblejad, Savion Glover, Peter Briansen, Gregory and Maurice Hines of Hines, Hines, and Dad, Alfonso Ribeiro, LaVaughn Robinson, Jason Samuels Smith, Shirley Temple, and Grant Swift.[7] Indie-pop band Tilly and the Wall also features a tap dancer, Jamie Williams, tapping as percussion.
Characteristics of Tap Dance
Tap dancers make frequent use of syncopation. Choreography typically starts on the eighth or first beatcount. Another aspect of tap dancing is improvisation. This can either be done with music and follow the beats provided or without musical accompaniment, otherwise known as a capella dancing.
Hoofers are tap dancers who dance primarily with their legs, making a louder, more grounded sound. This kind of tap dancing, also called "rhythm tap", came primarily from cities or poor areas. Today this is not the case, especially with such a wide variety of styles spreading throughout the world. Steve Condos rose out of his humble beginnings in Pittsburgh, PA to become a master in rhythmic tap. His innovative style influenced the work of Gregory Hines, Savion Glover and Marshall Davis, Jr. The majority of hoofers, such as Sammy Davis Jr., Savion Glover, Gregory Hines, and LaVaughn Robinson are African American men, although today the art form transcends racial and gender stereotypes. Savion Glover is the best-known living hoofer, who helped bring tap dance into mainstream media by choreographing and dancing for the major motion picture Happy Feet. Another well-known tap film is 1989's Tap, starring the late Gregory Hines and many of the old-time hoofers.
Early dancers like Fred Astaire provided a more ballroom look to tap dancing, while Gene Kelly used his extensive ballet training to make tap dancing incorporate all the parts of the ballet. This style of tap led to what is today known as "broadway style," which is more mainstream in American culture. It often involves high heeled tap shoes and show music, and is usually the type of tap first taught to beginners. The best examples of this style are found in Broadway musicals such as 42nd Street.
Common tap steps include the shuffle, shuffle ball change, flap (pronounced "fuh-lap"), flap heel, cramp roll, buffalo, Maxi Ford, single and double pullbacks, wings, cincinnati, the shim sham shimmy (also called the Lindy), Irish, Waltz Clog, shuffle hop step, running flaps, running shuffles, sugar, the paddle and roll, slap, stomp, brushes, scuffs, and single and double toe punches, hot steps, heel clicks, single, double and triple time steps, riffs, and chugs. In advanced tap dancing, basic steps are often combined together to create new steps. The flap heel toe heel step brush heel is one combination of basic tap steps that is usually practiced while spinning around in a circle. Higher levels of tap dancing may also consist of toe work, which are steps performed on the toes of the tap shoes. This may vary from simply jumping up onto the toe in a toe stand or doing steps mentioned above on the toe such as shuffles or wings.
From Wikipedia, the free encyclopedia
http://en.wikipedia.org/wiki/Tap_dance
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